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Docmentation 

 

These are some photos of documenting my work in my group senior show Residual Bodies.

 

When someone is treated as an instrument to fulfill sexual pleasure it is sexual objectification. Where objectification is the act of treating a person as though they are not an individual with agency or integrity, and instead treating them as an object.

 

“A woman’s presence expresses her own attitude to herself, and defines what can and cannot be done to her. Her presence is manifest in her gestures, voice, opinions, expressions, clothes, chosen surroundings, taste – indeed there is nothing that she can do that does not contribute to her presence. Presence for a woman is so intrinsic to her person that men tend to think of it as an almost physical emanation”

- Jon Berger’s Way of Seeing

 

In discussions of art women are described as being charged objects, meaning that when a woman is represented in art her presence carries strong and complex connotations. The charged nature of women in art is an extension of the strong connotations attached to their presence in the real world. The opposite of a charged object is something that seems to have more neutral meanings attached to it, such as a white wall; its presence is not experienced as disruptive. Female charge stems from the women’s objectification. In my own cultural experience, women are seen as objects that are consumable and powerless, and as threatening when they refuse to accept those qualities. Think about how feminists are sometimes viewed; they are believed by many to be angry, hateful, and disruptive, when ultimately the ideal goal of feminism is widespread equality. This kind of equality seems dangerous to those who benefit from women’s and others’ disadvantages, to those who expect to maintain their privilege.  

 

This concept of charge is the driving force of this work; I have created objects and ideas of methods for neutralizing the metaphorical charge attached to women. This charge can be both a political and sexual charge. However it is a metaphorical charge and not a literal one, yet it is just as inescapable as if women were physically electrically charged. My work focuses on solving an electrical version of the charge. While I want to solve the metaphorical charge, metaphors are abstract concepts that cannot be controlled, whereas electricity is a physical thing that can be contained and controlled. The goal of these works is to neutralize the charge and allow relief; they are silly and satirical and all of the methods are unable to achieve their goals. The task of neutralizing the charge is an impossible one. With that knowledge I hope to provide a tongue-in-cheek view of how restrictive objectification can be, to the point that those who are charged may be seeking protection, an off switch, or neutralization.

Docmentation 

 

These are some photos of documenting my work in a space to prepare for my Junior Review. 

Docmentation 

 

These images are documentation of the process of a collaborative sculpture with Kenzie Cargill.

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